Profession fight director
Fight directors coach performers to safely execute fight sequences. They direct fights for performances such as dance, movies and television, circus, variety, and others. Fight directors may have a background in sports such as fencing, shooting or boxing, martial arts such as judo, wushu or karate, or military training.
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- Conventional / Realistic
- Labour legislation
Legislation, on a national or international level, that governs labour conditions in various fields between labour parties such as the government, employees, employers, and trade unions.
- Intellectual property law
The regulations that govern the set of rights protecting products of the intellect from unlawful infringement.
- Be in touch with your body
The key aspects of applied anatomy, psychology, nutrition, physiology, and psychosocial studies and how they relate to the self-awareness of one's body.
- Performing arts fights legal regulations
The legal disclosures and insurances one need to work as fight director with performers, taking into account the use of weapons and risk assesment.
- Ensure the longevity of the fight actions
Ensure the longevity of the fight actions work. Transpose the work from one location to another when needed. Ensure a video recording is made. Ensure that the integrity of the work is respected and that elements associated with the work are preserved (weapons, munition, etc.). Update a work when called for.
- Adapt fighting techniques for performance
Make sure that fighting techniques used in a performance are adapted for the purpose. Ensure the safety of the performers and the audience. Adapt fighting techniques to fit the context and artistic vision of the production.
- Manage artistic career
Present yourself and your artistic approach. Position your work in target markets. Promote and market yourself and your oeuvre.
- Supervise performers' fights
Communicate expectations and targeted results, transmit the fight sequences, and technical aspect of the fighting discipline, etc. Help the performers/dancers internalise the fights sequences and fighting techniques. Supervise them in action and motivate and help them them achieve their maximum potential. Make performers them aware of the associated risks. Get performers to rehearse fights.
- Adjust the work to the venue
Adjust the physical, practical and artistic components of the work to the realities of the performance venue. Check the material parameters and technical conditions of the venue, such as scenery and lighting. Check the seating arrangements. Assess the impact of the environment and space on the work.
- Use personal protection equipment
Make use of protection equipment according to training, instruction and manuals. Inspect the equipment and use it consistently.
- Promote yourself
Market one's own strengths in terms of skills and knowledge.
- Monitor art scene developments
Monitor artistic events, trends, and other developments. Read recent art publications in order to develop ideas and to keep in touch with relevant art world activities.
- Define an approach to your fight dicipline
Analyze your work and expertise in your fight discipline and use this to define your approach in directing fight actions with the director/choreographer. Convey the requests of the other collaborators. Explain choices in a broad perspective. Agree on the conditions and requirements of the project.
- Follow environmentally-sustainable work practices
Apply principles, policies and regulations aimed at environmental sustainability in the workplace.
- Work ergonomically
Apply ergonomy principles in the organisation of the workplace while manually handling equipment and materials.
- Contribute to a safe working environment
Apply basic safety rules according to training and instruction and based on a solid understanding of the risks to you and your colleagues.
- Coach performers in your fight discipline
Guide the performers' training sessions in your fight discipline so that they gain mastery in fighting techniques, movements and actions. Assess their potential to learn fight actions in a safe way. Organise the training, determining its goals. Direct the performers' training.
- Work with respect for own safety
Apply the safety rules according to training and instruction and based on a solid understanding of the prevention measures and risks to your own personal health and safety.
Optional knowledge and skillsmemorise lines work in an international environment write risk assessment on performing arts production read dance scores engage in fencing show intercultural awareness develop work plans to solve problems manage artistic project foreign languages for international careers read musical score
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