Profession pyrotechnic designer

Pyrotechnic designers develop a pyrotechnical design concept for a performance and supervise the execution of it. Their work is based on research and artistic vision. Their design is influenced by and influences other designs and must be conform with these designs and the overall artistic vision. Therefore, the pyrotechnic designers work closely with artistic directors, operators and the artistic team. During rehearsals and performance they coach the operators to obtain optimal timing and manipulation. Pyrotechnic designers develop plans, cue lists and other documentation to support the operators and production crew. Pyrotechnic designers sometimes also work as autonomous artists, creating pyrotechnical art outside a performance context.

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Personality Type

  • Conventional / Realistic

Skills

  • Work safely with pyrotechnical materials in a performance environment

    Take necessary precautions while preparing, transporting, storing, installing and operating with pyrotechnical materials and explosives of class T1 and T2.

  • Monitor developments in technology used for design

    Identify and explore recent developments in technology and materials used in the live performance industry, in order to create an up-to-date technical background for one’s personal design work.

  • Prevent fire in a performance environment

    Take steps to prevent fire in a performance environment. Make sure the space complies with fire safety rules, with sprinklers and fire extinguishers installed where necessary. Make sure staff are aware of fire prevention measures.

  • Develop design ideas cooperatively

    Share and develop design ideas with the artistic team. Conceptualise new ideas independently and with others. Present your idea, gain feedback and take it into account. Make sure the design fits with the work of other designers.

  • Understand artistic concepts

    Interpret an artist's explanation or demonstration of their artistic concepts, inceptions and processes and strive to share their vision.

  • Use communication equipment

    Set up, test and operate different types of communication equipment such as transmission equipment, digital network equipment, or telecommunications equipment.

  • Present detailed design proposals

    Prepare and present detailed design suggestions for a specific production to a mixed group of people, including technical, artistic and management staff.

  • Communicate during show

    Efficient communication during live performance, anticipate any possible malfunctioning.

  • Propose improvements to artistic production

    Assess past artistic activities with a view to improving future projects.

  • Meet deadlines

    Ensure operative processes are finished at a previously agreed-upon time.

  • Translate artistic concepts to technical designs

    Cooperate with the artistic team in order to facilitate the transition from the creative vision and its artistic concepts to a technical design.

  • Analyse score

    Analysing the score, form, themes and structure of a piece of music.

  • Research new ideas

    Thorough research for information to develop new ideas and concepts for the design of a specific production based.

  • Work safely with mobile electrical systems under supervision

    Take the necessary precautions while providing temporary power distribution for performance and art facility purposes under supervision.

  • Analyse the artistic concept based on stage actions

    Analyse the artistic concept, form and structure of a live performance based on observation during rehearsals or improvisation. Create a structured base for the design process of a specific production.

  • Work ergonomically

    Apply ergonomy principles in the organisation of the workplace while manually handling equipment and materials.

  • Coach staff for running the performance

    Give instructions to all team members about how they should run the performance.

  • Update design results during rehearsals

    Updating the design results based on observation of the stage image during the rehearsals, especially where the different designs and the action are integrated.

  • Safeguard artistic quality of performance

    Observe the show, anticipate and react to possible technical problems, ensuring optimal artistic quality.

  • Analyse a script

    Break down a script by analysing the dramaturgy, form, themes and structure of a script. Conduct relevant research if necessary.

  • Adapt existing designs to changed circumstances

    Adapt an existing design to changed circumstances and ensure that the artistic quality of the original design is reflected in the final result.

  • Perform quality control of design during a run

    Control and ensure the quality of design results during a run.

  • Develop design concept

    Research information to develop new ideas and concepts for the design of a specific production. Read scripts and consult directors and other production staff members, in order to develop design concepts and plan productions.

  • Analyse the scenography

    Analyse the selection and distribution of material elements on a stage.

  • Monitor sociological trends

    Identify and investigate sociological trends and movements in society.

Optional knowledge and skills

labour legislation test pyrotechnical effects use personal protection equipment build pyrotechnical devices work with respect for own safety write risk assessment on performing arts production provide documentation analyse the need for technical resources organise resources for artistic production understand artistic concepts keep personal administration set up pyrotechnical equipment plan pyrotechnical effects store pyrotechnical materials draw up artistic production update budget document your own practice operate pyrotechnical control obtain pyrotechnic permits copyright legislation perform first fire intervention lead a team work safely with machines